The who album covers series#
This evolved from a series of columns Townshend wrote for Melody Maker in August 1970, in which he discussed the importance of rock music, and in particular what the audience could do. Instead, the group tackled a project called Lifehouse. A single, " The Seeker", and a live album, Live at Leeds, were released in 1970, and an EP of new material ("Water", "Naked Eye", "I Don't Even Know Myself", "Postcard", and "Now I'm a Farmer") was recorded, but not released, as the band felt it would not be a satisfactory follow-up to Tommy. They had been touring since the release of Tommy the previous May, with a set that contained most of that album, but realized that millions had now seen their live performances, and Pete Townshend in particular recognized that they needed to do something new. The group had started to drift apart from manager Kit Lambert, owing to his preoccupation with his label, Track Records.
The who album covers mod#
The mod movement had vanished, and the original followers from Shepherd's Bush had grown up and acquired jobs and families. It has been reissued on CD several times, often with additional songs originally intended for Lifehouse included as bonus tracks.īy 1970, the Who had obtained significant critical and commercial success, but they had started to become detached from their original audience. It has since been viewed by many critics as the Who's best album and one of the greatest albums of all time. The album was an immediate success when it was released on 14 August 1971. The cover photo was shot by Ethan Russell it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured group members standing by a concrete piling protruding from a slag heap in Easington Colliery, County Durham, apparently having urinated against it. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and " Baba O'Riley", which were both released as singles. After producing the song " Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. The Who recorded Who's Next with assistance from recording engineer Glyn Johns. Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade. Eight of the nine songs on Who's Next were from Lifehouse, the lone exception being the John Entwistle-penned " My Wife". The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. Who's Next is the fifth studio album by English rock band the Who.
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